'Murder By Numbers':
The
opening credits begin with a slow moving forward, level, MID
establishing shot, the ms-en-scene displays waves crashing against rocky cliffs; seeming calm
whilst setting the scene. The crashing waves may symbolically connote a future
threat or disturbance to the audience. A sense of isolation is also suggested, as the
audience follow the waves through the camera, without any characters present.
Non-diagetic music combines through the editing with the shot; slow piano keys and violins are heard. Both the violins play a mixture of unhurried and upbeat paces, as if to stimulate a heartbeat; which may be used to create tension for the audience, with an additional sense of uncertainty. The editor fades this shot to a black, back grounded screen with credits, bridging the non-diagetic music, to continue the suspense for the audience without exhibiting a visual aid.
Non-diagetic music combines through the editing with the shot; slow piano keys and violins are heard. Both the violins play a mixture of unhurried and upbeat paces, as if to stimulate a heartbeat; which may be used to create tension for the audience, with an additional sense of uncertainty. The editor fades this shot to a black, back grounded screen with credits, bridging the non-diagetic music, to continue the suspense for the audience without exhibiting a visual aid.
The
director prolongs the suspenseful atmosphere for the audience, through the edited fading of an
establishing long shot, displaying through the ms-en-scene what seems to be an abandoned house at
the cliff edge. The camera slowly zooms into the window of the
building. Continuing inside through the camera the ms-en-scene exhibits an
aged wooden interior; seeming slightly eerie whilst maintaining the
interest of the audience through prolonged tension.
The non-diagetic music’s volume is lowered by the editor, gradually ceasing. Diagetic dialogue begins; indicating the presence of characters and revealing to the audience that the building is not abandoned. The ms-en-scene displays two males, both white and dark haired, are seen facing each other in a birds eye shot, creating an abnormal view of the scene; which is possibly used to suggest an uncomfortable or irregular relationship between characters.
The non-diagetic music’s volume is lowered by the editor, gradually ceasing. Diagetic dialogue begins; indicating the presence of characters and revealing to the audience that the building is not abandoned. The ms-en-scene displays two males, both white and dark haired, are seen facing each other in a birds eye shot, creating an abnormal view of the scene; which is possibly used to suggest an uncomfortable or irregular relationship between characters.
The editor quickly cuts to a black screen displaying more credits with a silent pause; which may be used to prolong tension and intensify curiosity. Then a non-diagetic gun shot is added, which could act as a hook for the audience, whilst teasing their curiosity; thus provoking more interest.
The
following shots demonstrate an introduction to the male characters previously
seen, hinting that the suggested 'death' of one of them is yet to be revealed
to the audience.
A
long shot establishes, through the ms-en-scene, what seems to be a class room.
Young male and female roles wearing casual clothes are also visible through the ms-en-scene and are
sitting at wooden desks; indicating to the audience they are students. They appear to be
listening to a speaker as diagetic dialogue can be heard, he is similarly
clothed through the ms-en-scene and is stationed at a lectern.
A
mid shot of this speaker reveals to the audience that he is one of the male characters
previously seen, through his distinct hair style in the mid shot and ms-en-scene. The cut pace has
increased creating a spontaneous effect.
A slightly
low angle group shot gives more detail of the class. One male
student particularly stands out in this shot as he is centred and focussed on.
His actions are unique in the group shot; head buried in his arms, whilst other
students are sitting upright. The director has used this camera shot
to draw the audience’s attention to him, giving his character significance.
The
camera returns to the mid shot of the speaker, appearing to look emotively at
the male student. Cutting to a low angle mid shot, the
male student character is seen through the camera and ms-en-scene rebelliously looking up and
snickering at the speaker, the ms-en-scene and detail provided in the mid shot helps
confirm him as the other male in the previous scene.
Through
the build up of camera shots and the increasing pace of cuts, there may be a
suggested sexual tension between the characters for the audience. Even so, there is tension and
awkwardness in this relationship through the choice of shots. Here they are
suggested as opposites in society; one as a rebel, the other academic. From
society’s viewpoint these individuals would not normally associate. The
audience may wonder why these opposites join forces and what could possibly
lead them to using a gun.
If you could comment or give feedback on my analysing I would really appreciate it! :D
Thanks :)
WOW! You've done a really good job and included a lot of info here! Well done :)
ReplyDeleteIt will be great if you include a lot of the conventions of this movie into your own movie!
Good Luck
Thank you!
ReplyDeleteStrong use of terminology and analysis. Consider which techniques might be specific to the thriller genre that you can incorporate into your own film opening.
ReplyDelete