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Patrycja
Dawn
Dawn
Stereotypical
audience for genre:
The stereotypical
age for the Horror-Thriller genre is younger people, typically aged between
15-30 years; our TA being 16-mid20. Younger people
are attracted to the excitement and suspense of the Horror-Thriller genre more
often than the older generation,this
is because the older generation are matured and would be more inclined to watch
Political-Thrillers or Crime-Thrillers to name a few this
is unlike the younger generation who are more inclined to watch
Horror-Thrillers or Action-Thrillers.
The Thriller
genre is generally associated with the male gender. The implied violence in our
opening sequence through the mise-en-scene – our female’s bloodied costume – is
an aspect within our piece that would typically attract a male audience. This
is because they are not as squeamish when being subjected to graphic visuals
and or violence. An example of a
film that also uses mise-en-scene to imply violence would be ‘The Negotiator’
which is displayed through the use of firearms, attracting a male audience.
Thrillers involve
action, suspense and enigma; these elements are understood as being enjoyed by
men because they are associated with adrenaline. Thrillers
like ‘The Negotiator’ are therefore less likely to attract the female gender as
it is filled with these aspects. Our
film is heavily focused on suspense and enigma – the suspense being a build up
in the threat of the female character and the enigma revolving around who these
characters are, how they are connected, how and why the female character is
suggested to be violated and possibly the question to what has made her a
threatening character. Our
lack of action will also appeal to a female audience because it focuses more on
the tension/suspense. These qualities are balanced, not overly masculine or
feminine, to attract both males and females. In addition, enigma is a feature
that both genders will be attracted to, as anyone of any age, race, ethnicity or gender can
be interested in this. We
wanted to incorporate these aspects into our opening sequence, hoping to
attract a unisex audience.
How are you
attracting that audience?
Involving young
actors as our characters, camera shots that depict the lively setting of Camden
– a youth filled area – and current trends teamed with creative titles and
editing techniques make our opening sequence interesting for a younger
audience. Using young actors help our audience to relate to
them and be attracted to our film. A young audience would more likely watch a
film with actors in their age range because they can associate with their peer
group. The young actors in our film also reflect the youthful
content that’s captured through the camera. Shots such as a close up shot of a
row of fashionable shoes,a
high angled mid shot of a skull top and a high angle long shot of a robot were chosen
to use young people’s general interest in fashion trends and curiosity of the
out-of-the-ordinary keeping them engrossed and intrigued. The
high angle shot of the robot is also used to intimidate the audience, through
the angle, suggesting a negative event is about to happen and that appearances
aren’t always what they seem.
We have
displayed fashion in our sequence to also interest and attract a young female
audience. Rom-coms
are heavily targeted at female audiences and films such as, ‘Confessions of a
Shopaholic’ and ‘Sex and the City’ also use fashion as a means to attract their
audience. Incorporating fashion elements that are trending,
although not feminine images, they won’t alienate our male audience because the
images we have chosen are not extremely feminine or masculine and appeal to
both genders. In a close up
camera shot, the mise-en-scene displays a neon sign; this is to represent the
nightlife in our Camden setting. The highly feminine colours, pink and purple accompanied by a female
dancing figure on the sign would attract a female audience via the implications
of exiting, bright nightlife. However,
this will also appeal to the male audience as nightlife is heavily associated
with sexuality the dancing girl in the sign highlights this.
Clubs and pubs
(show examples) often advertise using young women, attracting both genders.
Nightlife itself is heavily focused on sexuality and can be associated with
mysterious or sinister activities. Alcohol being a part of this nightlife in our
opening sequence, can be associated with the idea that people can be taken
advantage of at their moment of vulnerability, the idea of hidden identities,
hidden agenda and drugs or violence are often associated with activities
happening at night. Our
female character’s costume, as previously said has connotations involving
suggested violence which supports this comment. The pathetic fallacy in our
opening sequence is a prime example of dark secrets being suggested; setting
the scene for our audience. The
audience, as young, will either know of the dangers regarding nightlife or will
have experienced it themselves and will therefore be interested in what happens
to the male character because he is at a state of vulnerability, displayed in
our blurred POV shot suggesting his drunkenness. This will attract both genders in our audience, as
the excitement of knowing something bad will happen and the tension rising to
it, acts as a hook for them.
Our male
character is very laddish. He is suggested to be drinking beer in the long two
shot of him and our female character along with following the over the shoulder
shot. Drinking alcohol, especially beer, is associated with youthful male
behaviour. This is an aspect used in our piece to attract our
male audience. Younger aged males in our target audience, roughly 16-18 years
old, would more likely look up to our male character because drinking alcohol,
especially late at night, is heavily associated with ‘being one of the lads’
and being a young adult male behaviour, specifically having fun, messing about,
being cool etc. The Strong Bow
adverts (show example) suggest this – the idea that alcohol is instinctively
masculine would make a younger audience look up to him. In
addition, the younger males may appeal to the idea of being late out at night,
drinking alcohol and generally rebelling against society – as our male
character is suggested to do. Similarly aged
males to this character in our target audience, 18-20, can relate to him, as
drinking beer and being out later at night is something that they can
understand as they may also do this. The male characters dress sense can reflect the
18-20 year olds social economic status – by not having large amounts of money
to spend on fashionable clothing.
The older part of our target audience 21-25, as expected to have more
understanding of alcohol and it’s exposing effects on people, would realise and
understand the danger the character could be involved in –
especially as he’s drunk and wandering the streets at night – as opposed to the
younger ages of our target audience – because they have more life experience. This
section of our target audience may also reminisce or be reminded of events in
their lives associated with late drunken nights; another
aspect that could help them relate to our character. Films
such as ‘The Inbetweeners Movie’ have characters that follow a similar
stereotype of young British males. On the whole our
choice of male character can attract a male audience through his characterisation
– one that they can relate to, be intrigued by or understand.
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